Michelle Trachtenberg (Dawn), who is trained in ballet, requested a dance sequence in lieu of a significant singing part,[9] and Alyson Hannigan (Willow), according to Whedon, begged him not to give her many lines. [37] Whedon shot the scene so that Giles moves in real time while Buffy works out in slow motion, to accentuate Giles' distance from her. Ogle, Connie (July 23, 2002). He tells Dawn that he has come to Sunnydale in response to her "invocation", and he will take her to his dimension to make her his bride ("What You Feel") when his visit is complete. Her relationship with Spike, however, allows her to feel lust and attraction, which she yearns for after being pulled back from a heavenly dimension. So, where do we go from here? As Spike and Buffy kiss, a swell of music accompanies them, similar to the ending of Gone with the Wind. Giles forbids the gang to assist Buffy, so she goes alone, despite having no will to do so; eventually Giles and the Scoobies change their minds and leave to catch up. Xander fears that his future marriage will turn him into an argumentative drunk like his father. [Anya and Xander] Why is the path unclear When we know hope is near? ", all the Scoobies join her, including Giles despite his suspicions that Buffy is no longer interested in her life. Randy Lewis (September 23, 2002). [12] Whedon acknowledged that the "lyrical, heavenly quality" of Benson's voice led him to assign her the episode's love song. Why is the path unclear? Lyrics sung moments before, however, forecast the uncertainty of the relationship between Spike and Buffy, as well as their contrasting reasons for initiating any romance; Spike wants to feel love from Buffy, while she simply wants to feel. [6] According to Buffy essayist Zoe-Jane Playdon, earlier episodes' "false saccharine behaviour" impedes the characters so crucially that it summons a demon to force them to be honest. [8][note 1] Two choreographers worked with Whedon and the cast on dance sequences. Why is the path unclear, Buffy the Vampire Slayer is a show of contradicting figures. It was Joss Whedon's first attempt at writing music, and different styles—from 1950s sitcom theme music to rock opera—express the characters' secrets in specific ways. lyrics: DAWN: / Where do we go from here? Where do we go from here. [40] Whedon admitted on the DVD commentary for the episode that the song is "pornography" and "probably the dirtiest lyric I've ever written, but also very, very beautiful". Where do we go from here? Her voice is great. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in fear GILES Tell me! [6], Buffy essayist Ian Shuttleworth writes that Amber Benson (Tara) has "the sweetest singing voice of all the lead players", referring to "Under Your Spell" as "heavenly and salacious"; author Nikki Stafford concurs, writing that Benson "has the most stunning voice, showing a surprising range". "Buffy serves up musical feast with plenty of bite". Failure means that they were right; that there might as well be only one Slayer, fighting and dying and doing whatever the hell the Watchers tell her to do. [note 4] Tara and Willow demonstrate throughout the series, and specifically in "Once More, with Feeling", that they are "intensely sexual", according to Buffy essayist Justine Larbalestier. GILES The battle's done and we kind of won GILES, TARA So we sound our victory cheer Where do we go from here? [65] In Region 1, the episode was released on the sixth season box set on May 25, 2004, over a year later than the Region 2 release. We wouldn't want her to ever use the black arts. [45] Musicologist Amy Bauer categorizes the tempo shifts as "rock ballad to punk polka to hymn" that indicates Buffy's turmoil. These were designed to give viewers all the clues they needed to establish all the nuances of the relationships between characters. Find more of Buffy lyrics. "Well. Anya, buffy, xander, willow, dawn, giles, spike, tara Understand we'll go hand in hand, but we'll walk alone in fear Giles Tell me! Bernstein, Jonathan (November 17, 2001). This community is dedicated to Joss Whedon's brain-child, Buffy the Vampire Slayer. At the end of the episode, Buffy kisses Spike, initiating a romance that she hides from her friends. "Brilliant Buffy still slays us". In the first episode of the sixth season, Willow, believing Buffy to be in Hell, used magic to bring her back from the grave. Although she asks in verse "Apocalypse / We've all been there / The same old trips / Why should we care? Throughout the show—as in the rest of the series—the characters self-consciously address their own dialogue and actions. GILES The battle's done and we kind of won GILES, TARA So we sound our victory cheer Where do we go from here? Once More With Feeling (Episode Soundtrack) Album, Once More With Feeling (Episode Soundtrack), Lyricapsule: The Surfaris Drop ‘Wipe Out’; June 22, 1963, Lyricapsule: The Byrds Drop ‘Mr. Buffy Season 8CHAPTER 1: "Where do we go from here? Rather than adopt the 'Hey, wouldn't it be wacky if we suddenly burst into song?' Read about Where Do We Go from Here? [42], When the episode was originally broadcast in the United States on UPN on November 6, 2001, it received a Nielsen rating of 3.4 and a share of 5. Amid the various annoyances Xander and Anya express through this song, some verses are clear-sighted observations of behavior, such as Anya's accusation that Xander—once in love with Buffy—uses Buffy as a mother figure to hide behind. [8] When he returned after the end of the fifth season, he presented Davies with a script and CD, complete with notated and orchestrated music, which Davies found "mind-boggling". [27] Of all the characters, Anya is the most preoccupied with the style of singing and songs, demanding to know if Spike sang "a breakaway pop hit, or a book number", and asking Dawn if the pterodactyl she facetiously says she gave birth to also broke into song. We can tell the end is near... 1 user explained Where Do We Go From Here? Where do we go from here That evening, Buffy visits Spike, who angrily tells Buffy to leave him alone if she will not love him ("Rest in Peace"). "Once More, with Feeling" is the most technically complex episode in the series, as extra voice and dance training for the cast was interspersed with the production of four other Buffy episodes. When re-runs were aired, several verses of songs were cut. G Am C Giles & Tara: So we sound our victory cheer. [6] UPN, the television network that aired Buffy's last two seasons, promoted the episode by displaying Gellar's face on billboards with music notes over her eyes, and held a special premiere event. ": "Once More, with Feeling" and Genre, "411Mania Interviews: James Marsters (Buffy the Vampire Slayer, Angel)". [6][7] Whedon knew he would have to write an entire score, which would take weeks or months. I just finished the rewatch of all the seven seasons of Buffy, since I loved it when I was a teenager 20 years ago. So we sound our victory cheer. In earlier seasons, this takes the form of simpler pleasures such as dating and socializing, interspersed with defeating evil forces. "This "Season 8" of the show which Joss Whedon, etc. Where do we go from here indeed, he knew exactly where he was going and he knew it was alone. They realize that the songs are bringing out hidden secrets, and later insist to Giles that something evil is to blame. Where do we go from here. De componist van Where Do We Go From Here? Dawn tells Tara she is glad that Tara and Willow have made up after their argument. The battle's done, And we kind of won So we sound our victory cheer Where do we go from here? Even if she does it accidentally it could be a disaster." Xander is engaged to Anya Jenkins (Emma Caulfield), a former vengeance demon who has become human. Buffy continues her charade in the chorus number "If We're Together", beginning the song by persuading others to join in one by one, as if each is convinced that she is still invested and in charge, and their strength as a group is infallible. [36] Giles' "Standing" is a ballad to Buffy that she does not hear, unlike the songs revealing truths elsewhere in the episode. Sweet was portrayed as "slick", smooth and stylish; in contrast, most demons on the series were designed to be crude and ugly. Both Williams and Margaret Lyons at New York magazine, however, declared "Once More, with Feeling" the "gold standard" for musical episodes. Rated R for now, may be NC-17 later. Near the end of Tara's song, she sings, "Lost in ecstasy / Spread beneath my Willow tree / You make me / Com — plete", as Tara levitates off the bed while Willow tacitly performs cunnilingus on her. [35] Musically, the song uses influences from Ira Gershwin, a Charleston rhythm, and jazz-like chord slides. Where do we go from here? The musical format allowed characters to stay true to their natures while they struggled to overcome deceit and miscommunication, fitting with the sixth season's themes of growing up and facing adult responsibilities. Johnston counts "I'll Never Tell" as one of the episode's "standout moments". Where do we go Series Author: littleotter73 Disclaimers: Buffy the Vampire Slayer belongs to Joss Whedon and other companies. Although Spike initially thinks that things would be better for him if Buffy was dead, he also changes his mind and decides to help Buffy; Sweet opines that Buffy is drawn to danger ("Walk Through the Fire"). His motivations changed when, in the fifth season, Spike realized he had fallen in love with Buffy. Where do we go from here Where do we go from here The battle's done, And we kinda won. ", The episode nears the end with "Where Do We Go from Here? [44], Buffy's numbers are the most complex, changing key and tempo when she begins to reveal the secrets she swore she never would. [6] Davies commented that the intricacies of filming this episode were "infinitely more complicated than a regular Buffy" episode,[9] and Whedon stated in the DVD commentary that he was ambitious to prove what television is capable of, saying "it just depends how much you care". C E D Verderop vindt u voorbeelden van de partituren van het nummer Where Do We Go From Here?. Buffy's opening number, "Going Through the Motions", was influenced heavily by the Disney song "Part of Your World" sung by Ariel in The Little Mermaid. This hints to the audience that the episode's musical format is strange to the actors and characters. Comment and share your favourite lyrics. [34] The musical styles span from a jaunty 1950s sitcom arrangement of the Buffy theme in the opening credits—the only episode in the series to begin without the normal version of the theme song and full cast roll, signifying a genre shift[7]—to Anya's hard-rock version of "Bunnies". at Buffy's younger sister), and a live cast performed the episode alongside the screen. [58] For its 65th anniversary, TV Guide picked it as the fifth best episode of the 21st century. [47] The characters as a chorus sing "The curtains close on a kiss, God knows / We can tell the end is near", moments before Buffy runs out to kiss Spike and the show closes with actual curtains. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in fear GILES Tell me! When does the end appear, Keveney, Bill (November 6, 2001). They are mentored by Buffy's "Watcher", Rupert Giles (Anthony Stewart Head), a paternal figure since the first season, when Buffy moved to Sunnydale after her parents' divorce. The next morning at the Magic Box, the gang reveal that they also sang that evening. McCabe, Kathy (April 14, 2002). Tell me where do we go from here. The song introduces the character's emotional state but also removes the barrier between the actor and the audience, as Gellar the actor portrays Buffy, who feels she is merely playing the part of the Slayer. Whedon is a fan of Stephen Sondheim, and used him as the inspiration for much of the music, particularly with the episode's ambiguous ending. At that time we … Press J to jump ... Posted by 40 minutes ago.
The battle's done,
And we kind of won
So we sound our victory cheer
Where do we go from here? In the fourth season The Initiative, a secret military organization whose mission is to evaluate and eliminate demonic beings, rendered Spike harmless by implanting a microchip in his head that causes him intense pain when he attacks humans. Whedon spoke to the show's producer, Gareth Davies, about his idea; they agreed that a musical episode would be written. [2][3] It is considered one of the most effective and popular episodes of the series, and—prior to a financial dispute in 2007—was shown in theaters with the audience invited to sing along. In the end, it was an incredible experience and I'm glad I did it. [48] This was a decrease from the 3.7 rating received by the previous episode a week prior. Enker, Debi (April 11, 2002). Anya, xander Why is the path unclear When we know home is near? [66], Since the musical episode of Buffy aired, several other series have worked musical format into episodes, including Scrubs, ("My Musical") in 2007,[67] an episode of Grey's Anatomy entitled "Song Beneath the Song" in 2011[68] and Batman: The Brave and the Bold, ("Mayhem of the Music Meister!") Buffy the Vampire Slayer's musical episode, 'Once More, with Feeling', registers a paltry outstanding music direction nomination. Jonathan Bernstein in the British newspaper The Observer writes "What could have been, at best, an eccentric diversion and, at worst, a shuddering embarrassment, succeeded on every level [...] It provided a startling demonstration that creator Joss Whedon has a facility with lyrics and melody equal to the one he's demonstrated for the past six seasons with dialogue, character and plot twists. "The Guide: Aerial view of America". When do the trumpets cheer. sheet music from Buffy The Vampire Slayer. "[51] The episode was also nominated for a Best Dramatic Presentation Hugo Award and a Best Script Nebula Award, both given for excellence in science fiction and fantasy writing. is Joss Whedon, Buffy The Vampire Slayer (TV Series).. Klik op ons voorbeeldpictogram  als u de eerste pagina van Where Do We Go From Here? Why is the path unclear, When we know home is near. Whedon remarked that this touch "is the kind of complete turnaround that is a staple of the Buffy universe". "[54], The episode was nominated for an Emmy Award for Outstanding Musical Direction, but the National Academy of Television Arts and Sciences (NATAS) neglected to include the title on the ballots for Emmy nominations in 2002. Dial-Driver, Emily; Emmons-Featherston, Sally; Ford, Jim; Taylor, Carolyn Anne (eds.) [6] Each of the eight characters in this line wears a color in the visible spectrum, a conscious decision by the costume designer. Anya describes her own duet "I'll Never Tell" as "a retro pastiche that's never gonna be a breakaway pop hit". While singing her song, Buffy fights three vampires and a demon who themselves break into a choreographed dance; Whedon wanted this to be fun but not distracting. Anya and Xander: Why is the path unclear When we know hope is near? [7][note 3] Whedon included self-conscious dialogue and references about the characters being in a musical and showed their reluctance toward song and dance, so that the audience would feel more comfortable with the improbability of such a thing happening on the show. Where do we go from here? But here’s the thing: we’re going to do it, not because I don’t know what failure means, but because I do. When we know home is near Understand We'll go hand in hand But we'll walk alone in fear Tell me Where do we go from here? Whedon called the cancellation "hugely depressing" and attempted to influence the studio to allow future showings.[76]. The key and tempo slow again, as Buffy finally reveals "I live in hell / 'Cause I've been expelled from heaven / I think I was in heaven" with the chord changing from B minor to B diminished, each time she repeats "heaven". When the others arrive, she divulges that Willow took her from heaven, and Willow reacts with horror at finding out what she’s done. Tara and Willow leave to "research" at home, but dally along the way while Tara muses about how much Willow has improved her life ("Under Your Spell"). If there was one thing she hated more than anything it was being bored. [6] Tara's heartfelt love song also has an ironic subtext; although she appears to mean that she is fulfilled by her relationship with Willow, the lyrics include multiple allusions to Willow working her manipulative will over Tara, overlaid with Tara's euphoric singing about her pleasure in their union. He learned how to play guitar to write several songs. She has been confiding in him; prior to this episode, he is the only one to whom Buffy has revealed that she was in heaven. At the Magic Box, Giles recognizes that he must stand aside if Buffy is to face her responsibilities in caring for Dawn instead of relying on him ("Standing") and Tara finds a picture of the forget-me-not flower Willow used to cast a spell on her in a book of magic. Nothing here is real; nothing here is right. Hope ya like it ^^ C Em Dawn: Where do we go from here C Am Buffy & Spike: Where do we go from here F Giles: The battle's done, Am And we kinda won. However, "Once More, with Feeling", according to Stroud, is the turning point at which she begins to face her responsibility to the community, her friends and her family. The episode nears the end with "Where Do We Go from Here? Following Dawn's date, Buffy asks Giles to shoulder responsibility for disciplining her, much to his discomfort. Giles and Tara separately resolve to leave the people they love, respectively Buffy and Willow — Giles wants to leave Buffy for her own good, while Tara wants to leave Willow because she has become horrified by Willow’s magical manipulation of their relationship ("Under Your Spell / Standing—Reprise"). (2008). [6] It transitions suddenly into her desire to be like normal girls, then changes again, slowing the tempo as she challenges Sweet not to give her a song, but "something to sing about". [26] Anya also avoids the truth by burying herself in wedding plans without thinking critically about what being married will entail; instead she considers Xander an accessory to her desired lifestyle. And we kinda won. They have struggled with disclosing their engagement to the rest of the group and individually doubt their impending marriage. Buffy The Vampire Slayer feat. Buffy was in fact at peace, in what she thinks was heaven, but she has kept this a secret from her friends. [6] Each of the singers in this song, which "marries soft rock to the function of a dirge", connects musically to earlier songs while foreshadowing Buffy's next number and the final chorus, providing an ominous anxiety. [24] For Buffy, however, truth is slow in coming, as she continues to lie to the Scoobies, claiming to forget what she sang about in the graveyard during "Going Through the Motions". GILES The battle's done and we kind of won. It was the most watched program on UPN that night, and the third most watched program that week, trailing episodes of Star Trek: Enterprise and WWF SmackDown. [42] Benson remarked that Tara's story arc is significant within the episode, starting out with ecstasy but soon recognizing the illusory circumstances surrounding her bliss and that "life can't be perfect all the time". This continued through the series to the point of unpredictability that sometimes became unsettling to fans. "Buffy Hits a High Note". (Tell me) Tell me where do we go from here. [6] Spike's "Rest in Peace" is also a rock song, which Whedon wrote after completing the episode's first song, Tara's "Under Your Spell", a contemporary pop song with radio-play potential. In the same episode, Dawn, who has been stealing from stores, including Anya's magic shop, lies to Buffy and goes on a clandestine and almost deadly date. [75] In October 2007, after a dispute with the Screen Actors Guild over unpaid residuals, 20th Century Fox pulled the licensing for public screenings of "Once More, with Feeling", effectively ending official Buffy sing-alongs. Whedon attempted to make the song tuneful yet chaotic to express the main point of the episode. They began drinking and singing, demonstrating to Whedon that certain cast members had musical talents. "Something's Fangtastically Wrong in Emmyland". Whedon, who has stated this is one of his favorite Buffy episodes, used a widescreen letterbox format for filming (the only episode in the series to get this treatment),[12] different lighting to bring out the sets more vibrantly, and long takes for shooting—including a complicated shot with a full conversation, a song, and two choreographed dances that took 21 attempts to get right. Tambourine Man’; June 21, 1965, Lyricapsule: Nirvana Drop ‘Bleach’; June 15, 1989, Lyricapsule: Derek and the Dominos’ First Gig; June 14, 1970. [7] According to Buffy essayist Richard Albright, the lack of polish among cast members' singing voices added to the authenticity of their breaking out into song for the first time in the series. Battle, a three-time Tony-winner, wore prosthetic make-up for the first time to give him a demonic red face. Where do we go from here [6][33], Whedon chose the most complicated scene, with the most dancers and choreography in the classic style of musical theater, to accompany an 18-second song ("The Mustard") "to get it out of the way" for more personal numbers later in the episode. [22] Whedon commented that he was "obsessive about progressing a plot in a song, about saying things we haven't said", comparing the musical theater format to the fourth-season episode "Hush", in which characters begin communicating when they stop talking. [9] The actors were initially bewildered; in 2012, James Marsters commented that "it's obvious now that they were good songs but the thing was Joss and his wife Kai, they don't sing very well. Whedon assigned Emma Caulfield the rock-opera format because Caulfield often sang in such a way to him on the set. 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