[24], Fontana's works can be found in the permanent collections of more than one hundred museums around the world. As a consequence of his first visit to New York in 1961, he created a series of metal works, done between 1961 and 1965. View Lucio Fontana’s 6,259 artworks on artnet. -lucio fontana A single, clean slash sweeps defiantly through the flaming red surface of Lucio Fontana’s Concetto spaziale, Attesa. Gareth Harris (November 14, 2013), "Catalogue of Lucio Fontana’s drawings in the works", Anny Shaw, (February 12, 2015), "London's second week of auctions are strong, but more post-war than contemporary", Lucio Fontana: Ambienti Spaziali, May 3 - June 30, 2012, Honoring Two Cities With Slashes, Piercings and Punctures, Declaring Space: Mark Rothko, Barnett Newman, Lucio Fontana, Yves Klein, September 30, 2007 - January 6, 2008, lucio fontana, April 8, 2004 - June 27, 2004, The crimson and the white - Lucio Fontana and the blade that took him to space, Paris exhibition tests strength of art market, https://en.wikipedia.org/w/index.php?title=Lucio_Fontana&oldid=998345033, CS1 maint: bot: original URL status unknown, Pages using infobox artist with unknown parameters, Articles with unsourced statements from May 2020, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 4 January 2021, at 23:37. [4], In 1927 Fontana returned to Italy and studied alongside Fausto Melotti under the sculptor Adolfo Wildt,[5] at Accademia di Brera from 1928 to 1930. [16], Around 1960, Fontana began to reinvent the cuts and punctures that had characterized his highly personal style up to that point, covering canvases with layers of thick oil paint applied by hand and brush and using a scalpel or Stanley knife to create great fissures in their surface. These concerns were prominent at the 1966 Venice Biennale, for which he designed the environment for his work. [citation needed] [31], In Nov 2015, Christie's set an auction record for the artists work Concetto spaziale, La fine di Dio, 1964, sold for a $29million [32], "Press Release: Lucio Fontana: Venice/New York opens at Guggenheim Museum". [25] Fontana's jewelry is included in the permanent collection of the Museum of Fine Arts, Boston. Then he left his home in Milano and went to Comabbio (in the province of Varese, Italy), his family's mother town, where he died in 1968. The movement (Movimento Spaziale – spacialist movement, or spacialism) was launched in 1947 after Lucio Fontana ’s return to Italy from Argentina … Lucio Fontana Born Feb. 19, 1899 Santa Fe, Argentina Died Sep. 7, 1968 (at age 69) Varese, Italy Nationality Italian Education Brera Academy, Milan Movement Spatialism Field Painting, Sculpting Works Lucio Fontana was a famous Italian artist who was known for combining different mediums in order to create a new form of art. Born to Italian parents in Rosario de Santa Fé, Argentina, in 1899, Lucio Fontana began his artistic career as a sculptor, working under his father Luigi before setting out on his own. Fontana created a prolific amount of graphic work with abstract motifs as well as figures, little-known in the art world, at the same time as he was producing his abstract perforated works. Fontana 1954’ (lower right) steel 23 3/8 x 39 3/8in. [8], Following his return to Italy in 1948 Fontana exhibited his first Ambiente spaziale a luce nera ('Spatial environment') (1949) at the Galleria del Naviglio in Milan, a temporary installation consisting of a giant amoeba-like shape suspended in the void in a darkened room and lit by neon light. Recognised as the founder of Spatialism, Lucio Fontana was a prolific artist who was driven by a desire to highlight and explore the relationship between surface and dimensionality.Fontana’s techniques included slicing through canvas and punching holes in the surface of his work – Spatial Concept is a series of works that exemplify this particular technique and Fontana would … It was there he presented his first exhibition in 1930, organized by the Milan art gallery Il Milione. “Spatial Explorations: Lucio Fontana and the Avant-Garde in Milan in the 50s and 60s," co-hosted by Italy’s largest bank Intesa Sanpaolo, runs parallel to … [4] Fontana was subsequently invited by Michel Tapié to exhibit the works at the Martha Jackson Gallery in New York. Though the Argentine-Italian founder of Spatialism is most … [15], Fontana engaged in many collaborative projects with the most important architects of the day, in particular with Luciano Baldessari, who shared and supported his research for Spatial Light – Structure in Neon (1951) at the 9th Triennale and, among other things, commissioned him to design the ceiling of the cinema in the Sidercomit Pavilion at the 21st Milan Fair in 1953. How did Lucio Fontana lay the foundations for Spatialism? He was mostly known as the founder of Spatialism . Known as a founder of Spatialism and for his ties to Arte Povera, Fontana remains one of the monumental figures in the time of great artists. [7] Since 1930 Fontana's work had been exhibited regularly at the Venice Biennale, and he represented Argentina various times; he was awarded the Grand Prize for Painting at the Venice Biennale of 1966. "Servant of Two Masters: Lucio Fontana's 1948 Sculptures in Milan's Cinema Arlecchino". He devised the generic title Concetto spaziale ('spatial concept') for these works and used it for almost all his later paintings. May 3 to June 30, 2012 555 West 24 Street New York City, 212-741-1111. Presentation With a selection of thirty works, on March 5, 1977 Galleria dello Scudo opens an exhibition dedicated to Lucio Fontana, founder of Spatialism, the avant-garde movement that contributed to the renewal of art not only in Italy in the second half of the 20th century. In particular, examples from the Pietre series are housed in the Stedelijk Museum, Amsterdam, the Centre Pompidou, Paris, the Museum of Modern Art in New York, the Galleria Nazionale d'Arte Moderna in Rome, the Museum of Contemporary Art Villa Croce in Genoa and the van Abbemuseum, Eindhoven. 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