With that said, zooms are of course very handy. But armed with the information provided in this guide, you should have no problem choosing the best wide angle lens for use with your a7III, Your email address will not be published. There are dozens of lenses from third-party manufacturers, there are dozens more dedicated Sony lenses, and there are tons of variations between zoom lenses, macro lenses, lenses better suited to astrophotography, portrait lenses, and the list goes on. Malloch loves this one – even over the Sigma- because it is a great combination of price, sharpness, and focus performance. Tamron’s 17-28mm f/2.8 wide-angle zoom offers great functionality and beautiful optical performance at a highly competitive price. These five lenses are just the tip of the iceberg when it comes to options for the Sony a7iii. We updated a total of 15 prime lens reviews using the Sony A7RIV Sensor test results. While there is some color fringing at wider apertures, you’ll need to look hard to notice it. But if you detect the slight hint of reservation in this opening paragraph, it’s simply because this unarguably fine piece of glass comes as quite a hefty investment. Nonetheless, anyone who’s spent any amount of time with any of the products in this line will be well aware that Zeiss doesn’t just go around handing out licenses to any fly-by-night operation. Most modern lenses – and certainly all those available for the Sony a7III – produce sharp images. Especially if you can buy a perfectly good lens with a maximum aperture of, say, f/4 or f/5.6 for a fraction of the price – as indeed is often the case. Lenses for Sony a7III Comparison Table. I blog and publish articles about camera lenses here at lensguide.io. With that said, though, there are wide angle lenses, and then there are wide angle lenses. Best Wide Angle Prime Lenses for Sony a7 III. Which one is right for you, only you can decided. Order Links:eval(ez_write_tag([[300,250],'4kshooters_net-leader-1','ezslot_5',147,'0','0'])); Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. Neewer 55mm Lens and Filter Accessory Kit for Nikon AF-P DX 18-55mm, A7III A7（28-70mm） A6000（16-70mm: 0.43X Wide Angle Lens, 2.2XTelephoto Lenses, UV/CPL/FLD/Filter and Macro Filter Set,etc 4.2 out of 5 stars 339 Indeed, while the 24mm GM doesn’t boast the extreme angle of view of, say, the Batis 18mm (below), what you gain instead is an extra stop of light-gathering abilities; highly appealing for both night-sky shooters and reportage photographers alike. Arguably 28mm is a much more convenient focal length for daily use than more extreme wide angles. Sony FE 100-400mm f/4.5-5.6 GM OSS Lens (B&H, Amazon). Meaning that it will never offer quite the same degree of manual control as a lens that focuses by truly mechanical means. Indeed, the umbrella term “wide angle” actually covers rather a broad range of focal lengths; from the decidedly reserved 35mm lens through to a full-on fish-eye that will make anything it’s pointed at look like a poster for a Fillmore “love-in” circa 1967. And while the 12-24mm follows the bulk of Sony’s lenses in being of the “focus-by-wire” variety, manual focus action is nonetheless satisfying and precise. An ultra-wide angle lens of this kind will never be anybody’s tool of choice for creating a shallow depth of field. Best Sony lenses 2021: 16 top lenses for Sony mirrorless cameras By Matthew Richards , Amy Davies 23 July 2020 There's now a E-mount lens to suit pretty much any occasion But if you are unlucky enough to end up with a dud (in practice that means decentering issues) be sure to send it back for a fully-functioning replacement. It is a very good mix of focal lengths and types and even includes some third-party options if you are looking beyond the pricier Sony-made optics. One for my 50mm and 28-70mm lens for my Sony a7iii. To be sure, ultra-wide angle lenses have their legitimate uses, and for certain professionals working in specialized areas of photography (real estate being just one obvious example) they are essential tools. Sony’s a7III offers pro-level features and stunning image quality for not much more than the cost of a consumer camera. So a diaphragm setting that might blow the background out to a pleasing blur on a 50mm standard lens could leave much of the background relatively sharp and recognizable when used on, say, a 20mm lens. Objectively the G-Master might be the better lens, but certainly not over two-times better! Sony FE 50mm f1.8 Lens. Currently, I have a Sony fe lens 28-70 mm f / 3.5-5.6 oss (it weighs approximately 300 grams length of 8 centimeters) and I would like to buy a better lens, the best macro, macro lenses that interest me weigh from 602-625 grams (Sony fe 90 mm f / 2.8 and Voigtlanger 6 5mm f / 2.0) – the question is whether these lenses will not be too heavy for sony alpha 7 I. Here's a lens filter size chart for Sony E Mount and A Mount lenses. Meanwhile autofocus is so beautifully fast and accurate that few people will be tempted to reach for manual control anyway. In fact the 16-35mm f/2.8 is considerably more expensive than the FE 12-24mm f/4 (above), despite offering a shorter angle of view. Variable ND Filters Compared // Is PolarPro's PMVND the Best? All lenses tend to perform their best in terms of sharpness once stopped down a few clicks from maximum aperture. Consequently photographers working in genres ranging from documentary to portraiture and from astrophotography to sports – and a whole lot else besides – tend to purchase the fastest lenses they can afford. You can use Full-Frame FE-mount lenses on APS-C Sony E-Mount cameras, and this will give you a 1.5x crop of the lens. Indeed, with an ultra-wide-angle, even just getting the background out of focus at all will be challenge enough. One reason that prime lenses are often a better investment than zooms is simply because they force the user to do the legwork necessary to get a better shot, rather than relying on a lazy change in focal length via a zoom. It is a super sharp, has a surprisingly close minimum focus distance that adds to its versatility, and handles very well. But the wider the focal length, the less the lens will amplify vibrations. Our next choice is the best lens for the Sony A7iii, and as much as we hate to choose yet another Sony product, we would recommend the Sony SEL50F14Z Planar T* FE 50mm f/1.4 ZA Lens. In itself, though, this aperture is also something of a selling point; as most lenses of such a wide focal length tend not possess overly impressive light-gathering abilities. Of course, the 12-24mm also lacks the G-Master’s faster aperture and pro-level spec. If you do nab a good copy, it’s an amazing pick. Photo: Sony As the most expensive lens on this list, we’re now into the realm of weather sealed lenses. 5. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. Autofocus works brilliantly (and silently), too. A change of focal length will affect photographic outcomes in a number of ways beyond merely showing more or less of the scene; for a start, it will alter both perspective and depth of field. There are also plenty of very affordable ways to enter the Sony ecosystem, with the A7III being the best … Sony a7III Full Frame Mirrorless Interchangeable Lens Camera with 28-70mm Lens + 64GB Memory & Flash a7III Accessory Bundle 4.2 out of 5 stars 23 $2,299.00 $ 2,299 . And if head-spinning, stomach-churning, horizon-bending perspective is your thing, don’t let anyone tell you otherwise – least of all some random stranger on the internet. What’s more, there’s very little in the way of comatic aberration, so when combined with it’s very fast maximum aperture, it’s obvious that this is one of the best lenses currently available for astrophotography. However, it’s actually a lot more competitively priced than you might expect of a lens this good. As here some background blur will likely be achievable; particularly when photographing a subject up close. I’m a travel photographer from Paris, France. In this parallel world of photography, a 16mm lens is an inherently far sexier object than a humdrum 35mm. In practice this means stunning sharpness and excellent contrast – not to mention very smooth and natural-looking bokeh due to the 9 rounded aperture blades. For these combined reasons, the best modern cameras for landscapes are the Nikon D850, Sony A7riii (buy from Amazon here) and Sony A7iii (Buy from Amazon here). This is because the shallow depth-of-field produced by a fast aperture setting is entirely inappropriate for shooting landscapes. Usable on 16-35 f4 with a step up ring but the 12-24 has no filter threads so not an option there. But that doesn’t mean those lenses need to break the bank. Get Instant Access! While few photographers will complain about the relatively fast maximum aperture of f/2.8, the extra optics required to achieve this makes for a strikingly large lens. Not only does this mean that zooms are invariably bigger than primes, but that shortcuts will often need to be made in terms of construction; frequently resulting in compromised image quality. Manual focusing is smooth and well-dampened. Despite the wide angle of view, nice enough bokeh can be achieved when shooting up close; even if this tends to be a little on the busy side. In short, if you can stretch to the asking price, there’s really very little reason not to go with the 16.35mm GM. So what are the best camera filters for DSLRs and mirrorless cameras? But if you do manage to achieve some separation between foreground and background, rest assured that out of focus rendering will be perfectly attractive. For those who can afford it, though, the 24mm f/1.4 GM is worth every cent of its asking price – and then some. However, when it comes to wide angle lenses, noob photographers and chronic GAS (gear acquisition syndrom) sufferers often equate wider with better. Sony’s option is the 90mm f/2.8, and I can verify from personal experience that it is amazing. whatever your requirements, rest assured that all of the options recommended in our guide will be fully up to the rigors of even professional use. In reality though, the best wide angle lens for the Sony a7III is simply the right wide angle lens for your photography. Do you have any lenses you would recommend? It is a near perfect all-around camera with the best mirrorless autofocus. Camera filters are simple accessories that can make a big impact on the quality of your photos -- if you don't buy a dud. Which is perfect, because with a long reach of 300mm, this lens is perfectly suited to patiently waiting for wildlife to appear in the elements. Top 7 Best Portrait Lenses for Sony a7III. One of the competitors is Tamron with their 28-75mm f/2.8, which happens to be one of the smaller and lighter picks. Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! - … Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Consequently, few people will find it too much of a chore to have this thing hanging around their neck all day long. However, other lenses did very well, too, making them ideal companions for the A7R IV. Stopping down even slightly fixes the corner problem though, and center sharpness becomes better still. While an extra stop or two of aperture opening will go a long way towards compensating for this effect, be aware that even the fastest wide angle lens is never going to be able match the extremely shallow depth-of-field typically produced by a telephoto lens at even a relatively slow aperture setting. Even at relatively small apertures. Indeed, optical performance is fantastic; producing images that are sharp edge to edge, even when shooting wide open. Just as well, then, that the majority of images you shoot with this lens will likely be sharply focused from foreground to infinity – meaning that you simply won’t notice any bokeh anyway. True, you don’t get image stabilization with this lens. Indeed, those drooling over the Sony 16-35 f/2.8 GM (above), but feeling decidedly queasy at the prospect of stumping up all that cash, should give Tamron’s offering very serious consideration. And that’s if a comparable option is available at all. But deliver it does. First though, let’s take a look at a bunch of the main contenders – covering options for every budget. There’s little to complain about on the autofocus front, however, as here performance is both snappy and silent. 1. And when it comes in such a small and lightweight package as this, but with a nice fast maximum aperture of f/2, the result is a supremely useful lens. However, you will want to double check your copy to make sure it is working right since those low prices don’t come with the best quality control. Hope you find them helpful, don’t hesitate to leave a comment! Some lenses render blurred areas smoothly. A background is blurred, but a landscape shooter is flush with modern high quality from. S a truly great lens on this list, a prime lens may where... Convenient focal length those lenses need to pack in a lot more in the zoom category ). Will amplify vibrations mentioned that the Tamron doesn ’ t mean those need! 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